Saturday, June 30, 2007

Audio Signal Processing

Audio signal processing
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Audio signal processing, sometimes referred to as audio processing, is the processing of a representation of auditory signals, or sound. The representation can be digital or analog.

The focus in audio signal processing is most typically a mathematical analysis of which parts of the signal are audible. For example, a signal can be modified for different purposes such that the modification is controlled in the auditory domain.

The parts of the signal are heard and which are not, is not decided merely by physiology of the human hearing system, but very much by psychological properties. These properties are analysed within the field of psychoacoustics

Contents [hide]
1 History of audio processing
2 Analog signals
3 Digital signals
4 Application areas
4.1 Audio Broadcasting



[edit] History of audio processing
Audio processessing was necessary for early radio broadcasting -- as there were many problems with studio to transmitter links.


[edit] Analog signals
An analog representation is usually electrical; a voltage level represents the air pressure waveform of the sound.


[edit] Digital signals
A digital representation expresses the pressure wave-form as a sequence of symbols, usually binary numbers, which permits digital signal processing. It must be noted that all real world audio signals are continuous-time analog signals. Therefore, sampling and quantization must be applied to convert the continuous-time analog signal to a discrete-time digital representation. While such a conversion is lossy, most modern audio systems use this approach as the techniques of digital signal processing are much more powerful and efficient than analog domain signal processing.


[edit] Application areas
Processing methods and application areas include storage, level compression, data compression, transmission, enhancement (e.g., equalization, filtering, noise cancellation, echo or reverb removal or addition, etc.)


[edit] Audio Broadcasting
Audio broadcasting (be it for television or audio broadcasting) is perhaps the biggest market segement (and user area) for audio processing products -- globally.

Traditioanlly the most important audio processing (in audio brodcating) takes place just before the transmitter. Studio audio processing is limited in the modern era due to digital audio systems (mixers, routers) being pervasive in the studio.

In audio broadcasting, the audio processer must

prevent overmodulation, and minimize it when it occours
maximize overall loudness
compensate for non-lineral transmitters, more common with mediumwave and shortwave broadcasting

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